When the riptide pulls at the boat, tugging her away from the shore and deep into the rough waters of the Gulf of Mexico, panic sets in, and the fairy tales that lured her out there go tumbling into the waves. Maybe the blue moon isn’t magic and maybe the sandbar won’t sparkle with mermaids and maybe — Oh, no…”Maybe” is just too difficult to bear. Kathi Appelt follows up to her New York Times bestseller, The Underneath, with a tale that will pull right at your very core — stronger than moon currents — capturing the crash and echo of the waves and the dark magic of the ocean.
So many wonderful and interesting things are happening in Keeper
by Kathi Appelt, I’m not sure where to begin…On genre mixing: In my reading world outside of children’s literature, I LOVE magical realism. If I had to choose only one genre for the rest of my life (blasphemy!), magical realism would be it. Yet, children’s literature doesn’t seem as willing to blur the lines between genres. Perhaps children’s authors think their young audience too immature to handle the fuzziness. I’m sure glad Kathi Applet doesn’t feel that way. Keeper
is great title for discussing genre traits.On the theme of love and family: Another thing I adored about Keeper
was the nontraditional love story & family themes. I suppose it will end up on some banned book list for Mr. Beauchamp’s boyhood hand holding, which is horrible because the theme of love couldn’t be any sweeter than waiting on your first love to return. And Keeper’s family story, an abandoned baby, a runaway girl and a war-ravaged man of a different race, makes me want to pull out a large sheet of paper to discuss what makes a family with a room full of students!Allusions to Mr. Carroll, salty sea tales & mermaid mythology: If you really want to get crazy pull out that old college copy of The Love Song of J. Alfred Prufrock as the epigraph begins there! But there are also allusions to Alice in Wonderland (nonsense verse) and all sorts of mermaid lore to find.
On non-linear storytelling: Keeper
is a great book to use when examining point of view, sequencing and character traits. Each character is well developed and has his/her own point of view narration. The individual glimpses into the past would form an interesting sequence map wheel. On writing for children: There are good writers with good stories and there are stories that hold children's brief attention whether they conjure grand thoughts or lofty ideals. Kathi Appelt is a good writer with a beautiful story. In Keeper,
she mixes genres, points of view and lyrical styling to create another nomination worthy title. However, to most ten-year-old readers, the story must advance at a fast pace to match their limited cognitive focus. Thus, the quiet beauty of Keeper may limit some students when choosing Keeper as an independent read. I’m afraid this is one of those titles that adults like to tell kids to love, but that most (see that qualifier there!) children will find tedious. Recommended for class read-aloud & discussion and for the advanced reader who likes magically realistic stories of nontraditional families.
-------------------- Resources --------------------
Genre: Magical RealismAge: 9 -12
Pages: 416
Themes: Non-traditional Families, Love, Friendship
Thank You to Simon & Schuster Children's Publishing for my advanced copy
Publisher: Simon & Schuster
Date: May 2010
ISBN: 978-1416950608
BUY Keeper HERE
Great Reading Group Guide: HERE!
Take a peek at the story: HERE!
Here's the book trailer:
Ms. Appelt snagged three heavy-duty award nods for her novel The Underneath,
though I must admit to not having read it yet. You can learn more about her on the Simon & Schuster site or on her website.Although I didn't mention them, the illustrations add to the quiet beauty of this story. The artist is August Hall. You can read more about him HERE.
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AND 
AND 
by Matt Dembicki AND 
by Rhonda Hayter AND 
by Kate Milford
by S.A. Bodeen
by D.J. Steinberg AND 
by Barroux AND 
by Deborah Zemke AND 
by Bernadette Peters
by Benjamin Alire Saenz
by Elise Paschen AND 
by Kenn Nesbitt AND 
by Erica Kirov
by Todd Mitchell AND 
by William Irwin
by Elizabeth Bluemle AND 
by Lauren Child
adapted by Alan Grant AND 
by Jane Drake and Ann Love
by Zetta Elliott AND 
by Connie Ann Kirk
by Fred Hawk, MLS
by Annie Barrows
by Rod Paige, PED, and Elaine Witty, Ed. D. AND 
by Jesse Rice
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